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Spring 2005 Advance Course
Information
This information effective for Spring 2005. Check with instructor the
first day of class for any changes.
History
of Consciousness
[HISC-080G] [HISC-080P]
[HISC-080Q] [HISC-251]
80G. Trauma: 1866 to 9/11
Note: Draft Syllabus
Instructor: Laura Christian
E-mail: lchristi@ucsc.edu
This course traces the invention and intermittent reinvention
of trauma as a psychological category, from the first application of the
term to the phenomenon of "railway shock" in the mid-19th century
to the inclusion of "post-traumatic stress disorder" in the
American Psychiatric Association's Diagnostic Statistic Manual-III
after the Vietnam War. It examines the implications of clinical understandings
of trauma for theories of modernity, memory, history, and representation.
Specific case studies span a range of topicsfrom Freud's postulation
of the "death drive" in Beyond the Pleasure Principle,
to ethical debates surrounding the representation of the Holocaust or
Shoa, to the so-called "memory wars" arising from allegations
of incest in the 1990s, to the moment of historical rupture signaled by
the intensely mass-mediated 9/11 attacks.
Course Reader
Sigmund Freud, Beyond the Pleasure Principle
Dorothy Allison, Bastard Out of Carolina
Joseph Conrad, Heart of Darkness
Allan Young, The Harmony of Illusions
Regular attendance in class and participation in discussions (20%)
Mid-term paper (3-5 pages) (25%)
Final take-home exam (25%)
Final paper (6-8 pages) (30%)
| Day 1 |
Introduction
Screening: Crash (dir. David Cronenberg, 1996) |
| Day 2 |
Alan Young, "Introduction" and "Making
Traumatic Memory," from The Harmony of Illusions
Walter Benjamin, "Some Notes on the Work of Baudelaire"
Short film clips: The arrival of a train at La Ciotat Station
(Lumičre, 1895), turn-of-the-century footage of crowds |
| Day 1 |
Sigmund Freud, Beyond the Pleasure Principle
Ruth Leys, "Freud and Trauma, from Trauma: A Genealogy
Screening: The Best Years of Our Lives (dir. William Wyler,
1946) |
| Day 2 |
Allan Young, "World War I" from The Harmony
of Illusions
Ruth Leys, "Splinting the Mind: William Sargant and Catharsis in World
War II," from Trauma: A Genealogy |
| Week III |
Bearing Witness |
| Day 1 |
Claude Lanzmann, "The Obscenity of Understanding"
Margaret Olin, "Lanzmann's Shoah and the Topography of the
Holocaust Film
Screening: Partial viewing of Shoah (dir. Claude Lanzmann,
1985) |
| Day 2 |
Marianne Hirsch, "Surviving Images: Holocaust Photographs
and the Work of Postmemory"
Additional in-class screening: Night and Fog (dir. Alain Resnais,
1955) |
| Week IV |
The Compulsion to Repeat |
| Day 1 |
Susan Sontag, "Fascinating Fascism"
Marguerite Waller, "Signifying the Holocaust: Liliana Cavani's Portiere
di notte"
Teresa de Lauretis, review of The Night Porter
Screening: The Night Porter (dir. Liliana Cavani, 1974) |
| Day 2 |
Esther Faye, "Missing The 'Real' Trace Of Trauma:
How The Second Generation Remember The Holocaust"
Louis Kaplan, "It Will Get a Terrific Laugh: On the Problematic
Pleasures and Politics of Holocaust Humor"
Lisa Kron, 2.5 Minute Ride (monologue) |
| Week V |
The Traumatized Nation |
| Day 1 |
Allen Young, "The DSM-III Revolution," from
The Harmony of Illusions"
Joseph Conrad, Heart of Darkness
Screening: Apocalypse Now |
| Day 2 |
John Hellman, "Vietnam and the Hollywood Genre
Film: Inversions of American Mythology in The Deer Hunter and
Apocalypse Now"
Margaret Norris, "Modernism and Vietnam: Francis Ford Coppola's Apocalypse
Now" |
| Week VI |
Hystories |
| Day 1 |
Sigmund Freud, Letter to Wilhelm Fleiss dated September
21, 1897
Judith Lewis Herman, M.D., Chapter 1 of Trauma and Recovery,
"A Forgotten History"
Dorothy Allison, Bastard Out of Carolina
Screening: Bastard Out of Carolina (dir. Anjelica Houston,
1996) |
| Day 2 |
Laura Brown, "Not Outside the Range: One Feminist
Perspective on Psychic Trauma"
Ann Cvetkovich, "Sexual Trauma/Queer Memory: Incest, Lesbianism and
Therapeutic Culture |
| Week VII |
Memory Wars |
| Day 1 |
Excerpts from Janice Haaken, Pillar of Salt: Gender,
Memory, and the Perils of Looking Back
Screening: Capturing the Friedmans (dir. Andrew Jarecki, 2003) |
| Day 2 |
Excerpts from Elaine Showalter, Hystories: Hysterical
Epidemics and Modern Media |
| Week VII |
Epidermalization: Fanon and Racial
Trauma |
| Day 1 |
Frantz Fanon, Chapter 5 of Black Skin, White Masks,
"The Fact of Blackness"
Screening: Frantz Fanon: Black Skin, White Masks (dir. Isaac
Julien, 1996) |
| Day 2 |
E. Ann Kaplan, "Fanon, Trauma, and Cinema"
David Marriott, "Frantz Fanon's War" |
| Day 1 |
Selections from Gary in Your Pocket: Stories and
Notebooks of Gary Fisher
Eve Sedgwick, "Afterword" to Gary in Your Pocket |
| Day 2 |
Teresa de Lauretis, "The Lure of the Mannish Lesbian:
The Fantasy of Castration and the Signification of Desire"
Cherrie Moraga, Giving Up the Ghost: Teatro in Two Acts |
| Day 1 |
Maurice Yacovar, "The Bug in the Rug: Notes on
the Disaster Genre"
Despina Kakoudaki, "Spectacles of History: Race Relations, Melodrama,
and the Science Fiction/Disaster Film
Screening: Independence Day (dir. Roland Emmerich, 1996) |
| Day 2 |
Kai Erikson, "Notes on Trauma and Community"
Marita Sturken, "Desiring the Weather: El Niņo, the Weather, and California
Identity" |
| Day 1 |
Slavoj Zizek, "Welcome to the Desert of the Real"
Marcia Landy, "America Under Attack: Pearl Harbor, 9/11,
and History in the Media
Screening: Parallel Lines (dir. Nina Davenport, 2004) |
| Day 2 |
Barbara Kirschenblatt-Gimblett, "Kodak Moments,
Flashbulb Memories: Reflections on 9/11"
B. Ruby Rich, "After the Fall: Cinema Studies Post-9/11"
Louise Spence, "Teaching 9/11 and Why I'm Not Doing It Anymore"
Selected 11-min., 9-sec. segments from 110901September
11 (Multiple directors, 2002) |
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80P. Ideology and Popular Culture
in the U.S.
Instructor: Justin Paulson
To view the course web site, go to
http://people.ucsc.edu/~jpaulson/hisc80p/
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80Q. Science as Culture and Practice
TTh 2-3:45, Oakes 105
Instructor: Donna Haraway
In the last 25 years, interdisciplinary studies of science, technology,
and medicine have been revolutionized. Sociology, anthropology, gender
and race studies, environmental studies, history, philosophy, cultural
studies, literary studies, visual cultural theory, the study of material
cultures in and out of the laboratory, and many other fields have contributed
to modern science, technology, and medicine studies. Studies of knowledge
practices around the world generate important new insights into comparing
and evaluating ways of knowing. These analyses provoke controversies about
the nature of knowledge; relations among science, technology, and other
domains of culture; historical narratives; situated connections among
humans and nonhumans, including both machines and organisms; and the possibilities
of democracy, justice, and community in technoscientific, translocal worlds.
This course stresses three fundamental concepts: science, culture, and
practice.
Ordinary expressions like "science and society" or "science
and politics" pepper our language, but these phrases imply a basic
mistake. They imply that "society" and "science" are
separate and somehow have to be brought into relationship. But science
is one kind of cultural and social practice, among others; and understanding
what kind of cultural practices the natural sciences are is important.
Similarly, "society" or "culture" are made up of scientific
practices, among other things. This class investigates what kind of practices
these are, what their histories are, how they are entangled with others
sorts of practices, and what differences that makes.
One way to think about these things is to take something concretesay,
mosquitoes and malaria in Egypt, or genes in critters at deep sea vents,
or PET scans of brains in a U.S. courtroom, or mushrooms on a walk in
the Pogonip at UCSC, or agility sports dogs in training, or monkeys and
apes in filmsand unwind them as if they were a tangled ball of yarn
into all the actors, places, ways of knowing, personal and public stakes,
and much else that make something "concrete." All of these examples,
and more, will organize this class. We will look at parasitology, hydrodynamics,
epidemiology, cotton plantations, economics, war, postcolonial nationalism,
nitrogen shortages, and social unrest crucial to the Aswan Dam project.
We will find out why it makes sense in science and technology studies
to call dams and mosquitoes, and not just people, actors. We will look
in detail at how PET scans work in the world, and how such visual objects
come into beingin collaborations between cognitive scientists and
computer engineers, in disputes among lawyers, in institutional ecologies
that bind large research institutes and commercial ventures, in changing
popular views of what makes a person who he or she is. We will ask how
"matters of fact" and "matters of concern" relate
to each other, and at how technical, social, and linguistic technologies
are all necessary to produce either. Fundamentally, we will unravel things
into worlds.
Reading, writing, discussing, and lecturing are the basic activities
of this class. Students and faculty must collaborate to make all of them
work. Students will span the range from first-year folks through seniors,
and just about every major (and no major) will be represented. Texts will
include essays from several disciplines, fiction, and visual material.
There will be no common language at the beginning. Language for thinking
together will build throughout the quarter. Attending carefully to how
different people in the class think, read, and express themselves will
be absolutely crucial.
Three times in the class, a 5-page paper will be due. The papers will
be organized around course readings, student research conducted mainly
online, and a "keyword" selected from a list that attempts to
collect the crucial analytical concepts of the class. We will use midterm
exam and other class time to explore these papers. Section discussions
will be a very important component of the class. Grades will depend on
lecture attendance, discussion participation, evidence of close reading,
and written papers. As much as possible, students will not be graded "against"
each other, but in relation to the progress they make from where they
started and in relation to the seriousness of their contribution to the
class.
Essays:
- Barad, Karen, "Agential Realism," in The Science Studies
Reader, ed. Mario Biagioli (New York: Routledge, 1999), pp 1-11
- Cussins, Charis Thompson, "Confessions of a Bioterrorist: Subjective
Position and Reproductive Technologies," in E. Ann Kaplan and Susan
Squier, eds., Playing Dolly: Technocultural Formations, Fantasies,
and Fictions of Assisted Reproduction (Rutgers University Press,
1999), pp. 189-219.
- Haraway, Donna, "Chicken," in Shock and Awe: War on Words
(Santa Cruz: New Pacific Press, 2004)
- Latour, Bruno, essay on matters of fact, matters of concern, and making
things public
- Helmreich, Stefan, "Trees and Seas of Information: Alien Kinship
and the Biopolitics of Gene Transfer in Marine Biology and Biotechnology,"
American Ethnologist 30, no 3 (2003): 341-59.
- Mitchell, Timothy, "Can the Mosquito Speak?" in Timothy
Mitchell, Rule of Experts: Egypt, Techno-politics, Modernity
(Berkeley and LA: University of California Press, 2002), pp. 1-53.
- Rabinow, Paul, "Artificiality and Enlightenment: From Sociobiology
to Biosociality," in The Science Studies Reader, ed. Mario
Biagioli (New York: Routledge, 1999), pp 407-16.
- TallBear, Kimberly,
- Tsing, Anna, "Unruly Edges: Mushrooms as Companion Species,"
UCSC, in ms, 2004
Books:
- Burt, Jonathan, Animals in Film (London: Reaktion Books, 2002)
- Joseph Dumit, Picturing Personhood: Brain Scans and Biomedical
Identity (Princeton University Press, 2004)
- Donna Haraway, The Companion Species Manifesto: Dogs, People, and
Significant Otherness (Chicago: Prickly Paradigm Press, 2003)
- John Law and Annemarie Mol, eds., Complexities (Duke University
Press, 2002)
Websites, Videos, Films:
- "Donna Haraway Reads the National Geographics of Primates,"
Paper Tiger Television
- Winged Migrations
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251. Readings in Science Studies.
Ancients and Moderns: How to Think Relationality
Wednesdays, 9 a.m.-12 noon
Instructor: Donna Haraway
This seminar will concentrate on several important books that help me
think about three things: 1) a constructivist approach to the natural
sciences that takes both humans and nonhumans seriously in constitutive,
knowledge-producing relationships; 2) critical paradigms for understanding
"complexity" and "relationality"; and 3) responsibility,
ethics, and politics inside knowledge-making in the sciences. The readings
fall roughly into two scholarly clumps that I am calling "ancients"
(Whitehead, Fleck, and Bateson) and "moderns" (Stengers, Rouse,
Latour, Ihde, Barad, and Mol).
Likely pairings of readings: Fleck and Mol, Ihde and Haraway, Barad and
Stengers, Stengers and Whitehead, Bateson and Serres, Mol and Barad, Rouse
and Barad.
- Bateson, Gregory, Steps to an Ecology of Mind: collected essays
in anthropology, psychiatry, evolution, and epistemology (Chicago University
Press, 2000, c1972).
- Fleck, Ludwik. 1979 (1935). Genesis and Development of a Scientific
Fact. Chicago: University of Chicago Press.
- Whitehead, Alfred North. 1925. Science and the Modern World.
New York: Free Press.
- Barad, Karen, chpt 8, Meeting the Universe Halfway, in ms
- Haraway, Donna, "Crittercam: Compounding Eyes in NatureCulture,"
for Expanding Phenomenology: Companion to Ihde, ed. Evan Selinger
(SUNY Press, forthcoming)
- Ihde, Don, Bodies in Technology (Minneapolis: University of
Minnesota Press, 2001)
- Latour, Bruno, Politics of Nature: How to Bring Science into Democracy
(Harvard UP, 2004)
- Latour, B. and Serres, M, Conversations on Science, Culture, and
Time: Michel Serres with Bruno Latour (Studies in Literature and
Science) (Ann Arbor: University of Michigan Press, 1995)
- Annemarie Mol, The Body Multiple: Ontology in Medical Practice
(Science and Cultural Theory) (Duke University Press, 2003)
- Rouse, Joseph, How Scientific Practices Matter: Reclaiming Philosophical
Naturalism (University of Chicago Press, 2003), if available
in paperback, otherwise chpt from book.
- Stengers, Isabelle, The Invention of Modern Science, translated
by Daniel W. Smith (Minneapolis: University of Minnesota Press, 2000)
- Stengers, Isabelle, A constructivist reading of Process and
Reality, in ms, Université Libre de Bruxelles
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