SPRING 2000

This information effective for Spring 2000.
Check with instructor the first day of class for any changes.


History of Consciousness

[HISC-080E-01]


History of Consciousness 80E - Myth and Religion

Tu-Thurs 8:00-9:45
Oakes 105

A study of the nature of religion and myth as well as their interrelationship: the beginnings and functions of myth, its major themes in various cultures, its relationship to sacrifice and ritual, and its role in selected religions and cultures throughout the world.

Instructor: Gary Lease

Teaching Assistants: TBA

Texts to be selected from:

Mircea Eliade: MYTH & REALITY

James Frazer: THE GOLDEN BOUGH

William Doty: MYTHOGRAPHY: Study of Myth and Ritual

Gerald Larue: ANCIENT MYTH AND MODERN LIFE

Class Reader: selections from primary texts and from critical commentators

Themes and Topics:

Introduction: Nature of Myth & Religion Syllabus

Film: "The Magician" (by Ingmar Bergman, 1959 - 101 mins)

Religion & Myth: Functions

Mythic Function: Creation or cosmogony

Mythic Function: World or cosmology

Film: MEDEA (by Paolo Pasolini with Maria Callas, 1970 - 100 mins)

Mythic Function: Nature or fertility

Mythic Function: Society or authority (rule/order)

Film: SIMON OF THE DESERT (by Luis Bunel, 1965 - 45 mins)

Mythic Function: Future or salvation

Midterm Examination

Myth Building: Christianity

Myth Building: Mormonism

Film: TRIUMPH OF THE WILL (by Leni Riefenstahl, 1934 - 107 mins)

Myth Building: National Socialism

Myth Building: Unification Church, Rastafarianism, Fringe Cults

Film: RISE UP & WALK (native African churches - 55 mins)

Film: FROM NOON TO THREE (Charles Bronson, 1976 - 99 mins)

Role and Future of Myth

Film: IN THE NAME OF GOD (by A. Patwardha, 1991 - 60 mins)

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Examinations and Evaluations:

Evaluations will be based on:

1) a midterm examination consisting of an in-class survey of the readings and classroom discussions;

2) a two-part final examination consisting of (1) Take-Home Essays selected from a series of questions made available at least two weeks before the end of the course; and (2) an in-class survey of readings and films.

3) discussion and performance in class and in section.

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