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Fall 2006 Advance Course Information

This information effective for Fall 2006. Check with instructor the first day of class for any changes.


Theater Arts

[THEA-126] [THEA-161]


126. Theater in the "Chicano Power" Movement.

Instructor: Alma Martinez
Office: Theater Arts Center, J-14
Office Hours:  Mon. 12:30-2:30, and by appointment
Phone:
831-459-4918
Email:
almamar@ucsc.edu

Course Description

This course focuses on approaching acting first from a physically emotive source and than by incorporating the text. The work is based on the classical forms of commedia dell arte  and Mexican “carpa” and contemporary practitioners Jerzi Grotowski and Luis Valdez. Scene work will incorporate both classical and contemporary texts that will be staged in a manner focusing on culturally and ethnically diverse expressions. (On completion of this course, students will have two contrasting audition monologues and a professional headshot and resume.)

Required Texts

Plays and texts to be determined.

Attendance

Perfect attendance is required and will be recorded at each class. The first rule of acting is showing up for a performance, rehearsal, or class so there will be no late arrivals once class has started. Contact the instructor the day before if you cannot make a class otherwise you will be marked as absent.

Participation

100% committed participation is mandatory in any acting class. Its is imperative that students complete the readings and come to class and section prepared to discuss the assigned material and participate in physical exercises that incorporate course concepts.

Physical Activity

This class involves high physical activity and close physical contact so I strongly recommend students wear loose clothing, wear soft-soled shoes, and remove all large or dangling jewelry. PLEASE tie your hair back.

Advising

Students should meet with their instructor for private coaching during the quarter. Acting is a very personal art form and individual coaching is the best way to improve your acting skills. Drama majors, or possible majors, are especially encouraged to seek advice.

Course Assignments

  • Picture and Resume – Students will arrange to have their headshot taken by Steve De Bartolomeo and they will work with the instructor to compile a resume. Both will be due by the end of the 8th week.

  • 2 Contrasting Monologues – Students who do not yet have two contrasting monologues, will memorize one contemporary and one classical monologues (2 mins. each) and present these in class. These will be used throughout the course.

  • Film - Students will view, in groups of 4-5, Baz Luhrman’s “Romeo and Juliet” on reserve at McHenry Library and be prepared to discuss the film in class.

  • Written Exercises – Students will turn in a Scene & Character Analysis (4 page minimum) and a Physical and Emotional Score for the mid-term and final scenes.

  • Attending the Theatre - Students will attend 4 theatre productions, two at UCSC and two off-campus. Upcoming UCSC productions include “Picasso at the Lapin Agile” (10/20-23), “Rainbow Theatre” (11/3–11/6), “Fifth Wheel” (11/18 & 19), “Parole, Drugs and Mexico” (Nov. 11-13 & 11/17-11/20). Off-campus, checkout the Santa Cruz Actor’s Theatre and Gus’ Gang. The performances attended must be plays. UCSC performances are free. Students will turn in four tickets and programs on due dates listed in the Class Schedule.

  • Midterm Students will perform the balcony scene (Act 2, Scene 2) from Shakespeare’s “Romeo and Juliet”. You are expected to rehearse a minimum of 15 hours outside of class. Under-rehearsed scenes look under-rehearsed and will be graded accordingly.

  • Final - Students will be assigned a five minute scene from a play to be determined by the instructor. You are expected to rehearse a minimum of 15 hours outside of section. Under-rehearsed scenes always look under-rehearsed and will be graded accordingly. The Prop Shop has a limited supply of props on hand and their hours are posted on their door by the scene dock.

Written Work, and Tickets and Programs

All written work must have your name, course number, and date on the first page. The work must be typed, double spaced, have numbered pages, and be stapled together or it will not be accepted.  Tickets and programs must be stapled together with all the above information written on the top page. At the end of the quarter theatre tickets, programs and written work can be picked up at the instructor’s office. These will only be held for 4 weeks.

Course Evaluation and Grading

Attendance and Participation 25%
Written Assignments, Theatre Attendance, Quizzes 25%
Midterm 25%
Final 25%

To receive a letter grade of “A”, a student must attend all classes, participate in classroom discussions, exercises, scene presentations, attend all the requisite theatre performances, and complete all reading and written assignments. Physical and written exercises must show original and creative thinking with an excellent grasp of the ideas and themes discussed in class. You will be graded on the basis of your own personal growth and not against other students. A letter grade of  “B”, “C” or “D” will be based on the degree to which the above requirements are met or not met.  A more detailed grade rubric is available upon request.

Ethical Conduct

Ethical conduct is required and I expect all papers to be in your own words. If it is determined that you have plagiarized you will get no credit or reduced credit for the course, as well as any college sanctions that UCSC Student Affairs determines, e.g. suspension or notation of student file. Strive for originality and bold creativity in everything you do in this course. This is what will make you a great artist and a highly original human being. Everyone is asked to respect each other's work and refrain from making any negative or insensitive comments, in class or outside of class, to a person who has had the courage to seek deeper levels of emotional and physical expression.

Policies

  • Perfect attendance is expected. If you are ill or have an emergency and must miss class, email or call the instructor the day before. If you have one or more unexcused absences, are constantly late, or leave class at the break, you may be asked to withdraw from the course.
  • Excessive absences (1 +) should be discussed with your instructor to determine if missed class work can be made up. If arrangements are not made, this will lower your grade, or you may be asked to withdraw from the course.
  • An Incomplete is given only in extreme circumstances. Students are expected to complete and/or turn in all work on due dates.  An incomplete will only be considered for final exams and not for any work done earlier in the course.
  • For your scene work, do not use real weapons (guns, knives, etc.) or toy weapons that can be mistaken for the real thing. The use of these may result in no credit or reduced credit for the course, as well as any college sanctions that UCSC Student Affairs determines.
  • Acting is the representation of reality so refrain from real physical violence on stage. All complex physical movement must be rehearsed thoroughly to insure everyone’s safety.

Academic Accomodation

Students with physical or mental conditions that may necessitate an academic accommodation or the use of auxiliary aids and services in a class must initiate the request with Disability Resource Center (CRC). The DRC will evaluate the request along with the required documentation, recommend appropriate accommodations and prepare a verification letter dated in the current academic term in which the request is being made. Please contact the DRC as soon as possible: timely notice is needed to arrange for appropriate accommodations. The DRC is located at 146 Hahn Student Services 459-2089, drc@cats.ucsc.edu

UCSC Enrollment and Grading Deadlines

Sept. 22         ADD/DROP/SWAP Classes Begins
Sept. 30         Enrollment Deadline
Oct.  12          Grade Option  (Last day to change grade option)
Oct.  13          Add by Petition Begins 
Oct.  13          Withdraw From a Class Begins

CLASS SCHEDULE
THEA 126 – Fall 2006
INSTRUCTOR:  ALMA MARTINEZ
(revised 4/26/06)

*  Syllabus subject to change by Instructor *

WEEK 1

Sept.         Auditions.

Sept.         Introductions. Review syllabus. The Warm-Up.

                    Assignment: Read “Romeo and Juliet” twice.
                    View: Video TBD on reserve at McHenry Library
                              In groups of 4-5. Be prepared to discuss the film.
WEEK 2   
Oct.          The Warm-Up (Body and Voice)
      
Oct.          The Breath and the Body

                  Assignment:
                  Turn in: First draft of acting resume
                  Headshot: Schedule appointment for headshot.

WEEK 3 
Oct.       Body Articulation

Oct.       The Body in Space
                 Discuss Video TBD
 
WEEK 4:   
Oct.        Scene Work

Oct.        Scene Work

                 Assignment:  Begin Scene & Character Analysis (4 page min.), Emotional and  
                  Physical Score, a breakdown of dramatic text TBD
                Turn in: Second draft of acting resume.

WEEK 5: MID-TERM  
Oct.         Presentation of  scene TBD
                 
Oct.          Presentation of  scene TBD
                 
                  Turn-in: All written assignments for assigned play TBD in class.
                 Read: Final play to be determined.

WEEK 6:     
Oct.          The Mask.
                                      
Nov.          The Mask. The Gestus.
   
                  Turn-in: 2 Tickets Stubs and Programs.
  
WEEK 7:  
Nov.          “Table Work” – the analysis of the play text in the rehearsal process.

Nov.           Exercises  & Scene Work

 

WEEK 8:                      
Nov.         Exercises & Scene Work – Guest Instructor
     
Nov.         Exercises & Scene Work

Turn in: Final Acting Resume and Headshot

WEEK 9:     
Nov. 21      Exercises & Scene Work

Nov. 23      Exercises & Scene Work

                   Turn in: Turn-in: 2 Tickets Stubs and Programs.
                  
WEEK 10:     
Nov. 28      PERFORM FINAL SCENES

Nov. 30      PERFORM FINAL SCENES

                   Turn-in: Scene & Character Analysis (4-page minimum) and Emotional 
                         & Physical Score for Final Scene.

WEEK11:
FINAL   Dec. TBD

BOOKS & VIDEOS ON RESERVE - TBD

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161. Theater in the "Chicano Power" Movement.

Instructor: Alma Martinez
Office: Theater Arts Center, J-14
Office Hours:  Mon. 12:30-2:30, and by appointment
Phone:
831-459-4918
Email:
almamar@ucsc.edu
Teaching Assistant: Dale Durham, Ddurham@ucsc.edu

Course Description

The Chicana/o (Mexican-American) population has emerged as the “majority minority” in the state of California (2000 Census). Given this dramatic demographic shift, this course exams the evolving cultural history of this burgeoning US American community through a survey of the major representative texts of the Chicana/o Theater canon. Plays read incorporate the following themes, a) Chicana/o national identity formation, b) Indigenismo (Indigeniety), c) Frontera/Border cultural politics, c) Sexual politics and, d) Chicana/o urban mythology. Through the reading of plays, lectures, discussion, written work, attending theater performances, viewing videos and The Nuevas Fronteras Project, this class examines the growing importance of Chicana/o Theater as a major US American Theater genre.

Course Objectives

  • Present a survey of some of the most important Chicana/o plays between1963 – 2005
  • Develop critical thinking  & writing skills to effectively evaluate & critique Chicana/o plays
  • Use skills to conceptualize new and multiple approaches to US American theater and the representation of the changing and multiple US American identity

Required Texts

Reader available at Bay Tree Bookstore. Assigned articles will be handed out in class.

Attendance and Participation

Perfect attendance is required and role will be taken at each meeting. The class is a lecture and seminar format therefore it is imperative that students do the readings, bring course readers and articles to each meeting, and come prepared to discuss assignments and write response papers in class. Students arriving late will not be admitted.

Course Assignments

  • Midterm – In-class written exam and Phases I and II of  The Nuevas Fronteras Project
  • Final – Take-home written exam and Phase III of  The Nuevas Fronteras Project
  • The Nuevas Fronteras Project– Phase I, conduct interview, transcribe and hand-in (10 page minimum) document. Phase II, collectively share interviews, create and write a first draft of a short (10 minute) play (acto). Phase III, perform actos. Students are expected to meet in their assigned groups outside of class to prepare this project.
  • Response Papers – Periodically students will be asked to write short papers responding to the assigned reading or themes discussed in class. These papers will be 1-2 pages in length.
  • Theater Performances – Students must attend two theater performances that have Chicano/Latino themes.  One of these productions will be the instructor’s production of  “Anna in the Tropics” at Theatre Works in Palo Alto. Date and time TBD. Tickets are $10 per student. Students will hand in two tickets stubs and programs on the due date listed in the Class Schedule.

Format for Written Work

All written work must have a cover page including the assignment title, your name, course number, and date. The work must be typed, double-spaced, have numbered pages, be stapled together or it will, 1) not be accepted or, 2) lead to a reduced grade. At the end of the quarter all written work and ticket stubs and programs can be picked up at the TA’s office. These items will be held for four weeks.

Tickets and Programs

All tickets and programs must be stapled together, or placed in an envelope, with your name and the date clearly legible on the front surface. If you would like these items returned, you can pick them up at the TA’s office. These items will be held for four weeks.

Advising

Students should meet with the instructor and/or TA to discuss questions not covered in class, assignments, their academic progress, course suggestions, comments, etc. Drama majors, or possible majors, are especially encouraged to seek advice.

Course Evaluation and Grading

Attendance and Participation 25%
Midterm 25%
Final 25%
Theater Attendance 25%

To receive an “A," a student must attend all classes, theater performances, actively participate in classroom discussions, and complete all course assignments and exams in a manner that shows original and innovative approaches to the course material. Students are graded on the basis of  personal growth rather than against other students. A letter grade of  “B,” “C,” or “D” will be based on the degree to which students meet these requirements. A more detailed grade rubric is available upon request.

Ethical Conduct

Ethical conduct is required and all students’ written work must be in the student's own words. If it is determined that students have plagiarized, they will get no credit or reduced credit for the course, as well as any college sanctions that UCSC Student Affairs determines, e.g. suspension or notation of the student's file. Strive for originality and bold creativity in everything you do in this course.

Policies

  • Perfect attendance is expected. If you are ill or have an emergency and must miss class, email or call the TA the day before. If you have one or more unexcused absences or are constantly late, you may be asked to withdraw from the course.
  • Excessive unexcused and excused absences (1 +) should be discussed with your TA to determine if missed class work can be made up. If arrangements are not made, this situation will  lower your grade, or you may be asked to withdraw from the course.
  • An Incomplete is given only in extreme circumstances. Students are expected to complete and/or turn in all work on due dates.  An incomplete will only be considered for final exams and not for any work done earlier in the course.

Academic Accomodation

Students who have physical or mental conditions that may necessitate an academic accommodation or the use of auxiliary aids and services in a class must initiate the request with the Disability Resource Center (DRC). The DRC will evaluate the request along with the required documentation, recommend appropriate accommodations, and prepare a verification letter dated in the current academic term in which the request is being made.  Please contact the DRC as soon as possible; timely notice is needed to arrange for appropriate accommodations. Visit the DRC at 146 Hahn Student Services, or contact them at 9-2089 or drc@cats.ucsc.edu

Videos on Reserve at the Media Center

Recommended Viewing

  • Zoot Suit  VID12
  • Luminarias  DVD 559
  • Real Women Have Curves  DVD1501
  • El Corrido  VT8128
  • La Pastorela VT 81

Books on Reserve

  • Chicano Themes and Forms, PN2270. M48H831982
  • El Teatro Campesino: Early Actos, PS627.M4T4 1978
  • Zoot Suit and Other Plays,  PS3572.A387Z6 1992
  • Mummified Deer and Other Plays,   PS3572. A387M86 2005
  • El Teatro Campesino: Theater in the Chicano Movement, PN 3307.U6. B76 1994

“Anna in the Tropics” by Nilo Cruz

 Director, Amy Gonzalez, Alma Martinez as “Ofelia”
 Student Rate - $10

Tues 7:30, Wed, Thurs, Fri, 8 pm, Sat 2 and 8pm, Sun 2 and 7pm
Previews:  3/7 – 3/10, Opens: 3/11, Closes:  4/2
Theatre Works, Lucy Stern Theatre, 1305 Middlefield Rd., Palo Alto, CA
Box Office (650) 463-1950

Tickets only available on:
Wednesday, March 8, 8 pm  (30 tix)
Tuesday, March 14, 7:30 pm  (30 tix)

Sunday, March 12, 2pm  (15 tix)
Sunday March 12, 7pm   (15 tix)